
Today is Kurt Vonnegut’s birthday. The 11th day of the 11th month. Armistice day, now Veteran’s Day. I should read one of his stories today in his honor. What a great writer. Some people might not think so, though. Some highly privileged, highly educated, highly critical individuals might not deem him worthy of the honor of the title “great writer.” To them he will always be a science-fiction writer, something that not even he, himself, was comfortable being called. Or he will be some coarse and shallow humor writer. It’s a shame, those that interpret him that way that read into what shouldn’t be read into and don’t read into what should.
I can only speak for the influence he’s had on my own life, though. In the world of literature, at a time when I was hesitant, if anything, to welcome any work into my mind and let it plant roots his books did just that. My time in high school was most characterized by a distanced and dutiful approach to education. And when I was unknowingly keeping these great writers at arm’s length, allowing myself to sail through assignments without any heavy lasting impact, I found that there was one in particular that broke through my guards.
Cat’s Cradle was that first book. I was caught in the story, tangled up in the characters and was led. I was led forward out of my safety bubble and taught how to take off my student glasses. Maybe that’s what it meant to actually read something, to see it the way it was intended to be seen, as a story.
Stories get so twisted and exploited in our society. Somewhere between publication and a student’s backpack their meaning gets dissected, categorized, labeled, repackaged, processed, and filtered. The story’s meaning, its purpose, is told and passed down. It becomes sterile and lifeless, like a portable museum exhibit. Its heartbeat becomes frozen in time. It is no longer a dynamic and kinetic relationship between reader and word.
What I mean is that the reader isn’t caught off guard in the same way, isn’t thrown back, pulled forward. Their mind isn’t trampled by the heaviness of the words on the page and the task of finding the meaning for themselves. And they, in turn, can’t move the story, can’t bring it to life in any new and creative way because that path has been paved for them. What impact they could have had on that story and that story could have had on them is diluted.
And that book was one of the first to leap over all of the walls and diversions to really show me what stories can be. It was one after another after that point. It would be a year or two later until I had the freedom of college to choose what I wanted to read for myself and when I went back through the catalog of writers I knew Vonnegut’s roots were planted and the curiosity had bloomed. It was Sirens of Titan, Player Piano, Slaughterhouse-five, Breakfast of Champions, Bluebeard, Hocus Pocus, Deadeye Dick, Slapstick, Timequake, and then Man without a Country, Armageddon in Retrospect, and Fates Worse than Death.
I ate through them like a kid with his first box of See’s Candies, picking up the next curious creation before I was finished swallowing the last. And I think when I read everything I could I sat back with the same, is that it, no more? look on my face, words stuck between my teeth and smeared around the outside of my mouth. With a gentle sigh and contented pat on the belly I closed my eyes and waited for it all to find its way into my blood. My appreciation for this creation is immense, and my gratitude on this day is sincere.
Happy birthday, Kurt.